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Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Koncherto for violin and percussion ensemble (1959) Music for Violin and Various Instruments, European, Asian, and African (1967–69) Suite for Violin and American Gamelan (1974; arr. for violin and string orchestra, 1993) Philemon and Baukis for violin and Javanese gamelan (1985–87) Hamilton Harty
Op. 29, 3 Sonatas For Keyboard, Violin/Flute, And Violoncello (C, G, b). Published in 1793. Op. 30, Sonata For Keyboard And Violin in C Major. Revision of Sonata Op. 2 No.2 with Violin accompaniment. Published in 1794. Op. 31, Sonata For Keyboard And Violin/Flute in A Major. Revision of Sonata Op. 2 No.4 with Violin or Flute accompaniment.
Year Op. M.S. catalog [1] Title Key Instruments Notes 1795 c. 1: Carmagnola con variazioni (Carmagnola variations) A: Violin / Guitar: 14 Variations on the French Hymn "Carmagnole"
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Twelve Concertos, Op. 7. A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7.They were in two volumes, each containing concertos numbered 1-6.
Opus 12: Sonata No. 1 for violin and piano (1943) Opus 13: Children's Songs after I.L. Peretz for singer and piano (1943) Opus 14: String Quartet No. 3 (1944) Opus 15: Sonata No. 2 for violin and piano (1944) Opus 16: Children's Notebook No. 1 for piano (1944) Opus 17: Jewish Songs after Shmuel Halkin (1944) Opus 18: Piano Quintet (1944)
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.