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Efficiency is the often measurable ability to avoid making mistakes or wasting materials, energy, efforts, money, and time while performing a task.In a more general sense, it is the ability to do things well, successfully, and without waste.
The first issue of Cahiers appeared in April 1951. [4] Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, and the various younger, less-established critics, had met and shared their beliefs about film through their involvement in the publication of Revue du Cinéma from 1946 until its final issue in 1948; Cahiers was created as a successor to this earlier magazine.
Cinéma vérité (UK: / ˌ s ɪ n ɪ m ə ˈ v ɛr ɪ t eɪ /, US: /-ˌ v ɛr ɪ ˈ t eɪ /, French: [sinema veʁite] lit. ' truth cinema ' or ' truthful cinema ') is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda.
Debutantes at the Chrysanthemum Ball in Munich (2012) A debutante, also spelled débutante (/ ˈ d ɛ b j ʊ t ɑː n t / DEB-yuu-tahnt; from French: débutante, ' female beginner '), or deb is a young woman of aristocratic or upper-class family background who has reached maturity and is presented to society at a formal "debut" (UK: / ˈ d eɪ b juː, ˈ d ɛ b juː / DAY-bew, DEB-yoo, US: / d ...
The first fundamental welfare theorem provides some basis for the belief in efficiency of market economies, as it states that any perfectly competitive market equilibrium is Pareto efficient. The assumption of perfect competition means that this result is only valid in the absence of market imperfections, which are significant in real markets.
The notion of how long a feature film should be has varied according to time and place. According to the Academy of Motion Picture Arts and Sciences, [2] [3] the American Film Institute [4] and the British Film Institute, [5] a feature film runs for more than 40 minutes, while the Screen Actors Guild asserts that a feature's running time is 60 minutes or longer.
Filmmaking or film production is the process by which a motion picture is produced.Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission.
Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ⓘ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, [1] both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions.