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Mi Casa is a house trio based in Johannesburg, South Africa and consisting of three members, Dr. Duda (producer and pianist), J'Something (vocalist and guitarist), and Mo-T (trumpeter). The band was formed in early 2011 in Johannesburg when all three future members were at a night lounge and decided to perform together.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Though power chords are not true chords per se, as the term "chord" is generally defined as three or more different pitch classes sounded simultaneously, and a power chord contains only two (the root, the fifth, and often a doubling of the root at the octave), power chords are still expressed using a version of chord notation.
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
Sing Something Simple was a half-hour radio programme, which featured Cliff Adams and The Cliff Adams Singers, with Jack Emblow on accordion. The programme, which featured arrangements of popular easy-listening songs, ran for 42 years from 1959 until 2001, initially on the BBC Light Programme and later on BBC Radio 2, and earning itself the title of the longest-running continuous music ...
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The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
where the top line numbers each bar, one slash indicates a bar line, two indicate both a bar line and a phrase ending and a Roman numeral indicates the chord function. Important transformations include Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant Play ⓘ.
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