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Spiderwood Studios is a motion picture, television, music and animation studio in the United States that opened in 2009 by producer Tommy G. Warren. [1] Located east of downtown Austin, Texas, it is situated on 164 acres of back lot alongside the Colorado River, and is the state’s largest privately owned studio.
[6] [5] In 1948, Lightnin' Hopkins' began recording at the studio, [6] with "T-Model Blues" and "Tim Moore's Farm" both becoming top 10 national hits. In 1950, Quinn moved the studio into the first floor of his family home at 5628 Brock Street, just a few blocks from the original studio, and changed the name to Gold Star Studios.
Home recording is the practice of recording sound in a private home instead of a professional recording studio. A studio set up for home recording is called a home studio or project studio . Home recording is widely practiced by voice actors, narrators, singers, musicians, podcast hosts, and documentary makers at all levels of success.
Music Center Incorporated (MCI) is the former name of a United States manufacturer of professional audio equipment that operated from 1955 until 1982 when it was acquired by the Sony Corporation. The company is credited with a number of world firsts: commercialising the 24-track multi-track recorder, the tape Auto Locator and in-line mixing ...
Desk; c. 1765; mahogany, chestnut and tulip poplar; 87.3 x 92.7 x 52.1 cm; Metropolitan Museum of Art (New York City) A desk or bureau is a piece of furniture with a flat table-style work surface used in a school, office, home or the like for academic, professional or domestic activities such as reading, writing, or using equipment such as a computer.
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C1 / C1/20 (1987) — IBM PC compatible laptop PC for music production (i286@10 MHz), with 8 MIDI ports and Voyetra sequencer. /20 = 20M HD; CX5M / CX5F (1984) — MSX computer for music production, with SFG-01 FM synthesizer unit including MIDI I/O; CX7M/128 (1985)— successor of CX5M, MSX2 version, with SFG-05 FM synthesizer unit
This enabled the music workstation to generate effects such as reverb or chorus within its hardware, rather than relying on external devices. SMPTE Since the primary users of the high-end workstations were film composers, the music workstations added hardware and software to generate SMPTE timecode, which is a standard in the motion picture ...
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