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Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs. [61] [62] These designs may have bracketed serifs that increase width along their length. Because of the clear, bold nature of the large serifs, slab serif designs are often used for posters and in small ...
Describing the process of designing slab serifs, modern font designers Jonathan Hoefler and Tobias Frere-Jones note that the structure of the large slab serifs imposes compromises on structure, with purely geometric designs harder to create in ultra-bold sizes where it becomes impossible to create a strictly monoline lower-case alphabet, and ...
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending.A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type.
The text faces Century Schoolbook and especially Linotype Excelsior, a variant on Linotype Ionic, have text-oriented structures with narrower letterforms and smaller serifs than the Clarendon, but they show reduced contrast and more open letterforms to increase legibility compared to the Modern, particularly visible on Excelsior's 'e', 'c' and 'a'.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Samples of {{{1}}} typefaces Typeface name Example 1 Example 2 Example 3 Adobe Jenson Designer: Robert Slimbach Class: Old style Albertus Designer: Berthold Wolpe Class: Glyphic ...
They could be considered as slab serif designs because of the thickened serifs, and are often characterised as part of that genre. [7] [13] The reverse-contrast effect has been extended to other kinds of typeface, such as sans-serifs. [7] [14] There is no connection to reverse-contrast printing, where light text is printed on a black background ...
Examples of this are the flat foot serifs on letters like 'h', 'm' and 'n', where most body text italics would have a curl or no serif at all. [17] In structure, Perpetua appears relatively light in colour and rather "small" on the page, although this is less problematic in the carefully designed metal type, in which every size was carefully ...