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Romantic poetry at the beginning of the nineteenth century was a reaction against the set standards, conventions of eighteenth-century poetry. According to William J. Long , "[T]he Romantic movement was marked, and is always marked, by a strong reaction and protest against the bondage of rule and custom which in science and theology as well as ...
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
The ghazal was introduced to European poetry in the early 19th century by the Germans Schlegel, Von Hammer-Purgstall, and Goethe, who called Hafiz his "twin". [9] Lyric in European literature of the medieval or Renaissance period means a poem written so that it could be set to music—whether or not it actually was.
The great age of German song came in the nineteenth century. With the flowering of German literature, German-speaking composers found more inspiration in poetry. [citation needed] Schubert found a new balance between words and music, a new expression of the sense of the words in and through the music.
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
Irish Literary Revival was a movement within Celtic Revival in the late 19th and early 20th century that advocated rebirth of creativity in Irish language and included such poets as George Sigerson, W. B. Yeats, Roger Casement, and Thomas MacDonagh.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Post-romanticism in music refers to composers who wrote classical symphonies, operas, and songs in transitional style that constituted a blend of late romantic and early modernist musical languages. Arthur Berger described the mysticism of La Jeune France as post-Romanticism rather than neo-Romanticism .