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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This discretization facilitates performance, comprehension, and analysis. [1] Notes may be visually communicated by writing them in musical notation.
In music, a two hundred fifty-sixth note, or occasionally demisemihemidemisemiquaver , [1] is a note played for 1 ⁄ 256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams.
Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free.
Percussion notation is a type of musical notation indicating notes to be played by percussion instruments.As with other forms of musical notation, sounds are represented by symbols which are usually written onto a musical staff (or stave).
A J.S. Bach keyboard piece transcribed for guitar. In music, transcription is the practice of notating a piece or a sound which was previously unnotated and/or unpopular as a written music, for example, a jazz improvisation or a video game soundtrack.
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Schneider, Albrecht (1987). "Musik, Sound, Sprache, Schrift: Transkription und Notation in der Vergleichenden Musikwissenschaft und Musikethnologie" [Music, sound, language, writing: Transcription and notation in comparative musicology and music ethnology]. Zeitschrift für Semiotik (in German). 9 (3– 4): 317– 43. Sotorrio, José A. (1997).