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John Alton (October 5, 1901 – June 2, 1996), born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer of Hungarian-German origin. [1] Alton photographed some of the most famous films noir of the classic period and won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Al Liguori (June 3, 1885 - May 8, 1951) was an Italian born cinematographer mainly of the silent era. His style of photography was a precursor to what became known as film noir. His best known surviving film is the all-black Scar of Shame (1927). He came to America as a child and his family settled in Brooklyn New York where he was educated. [1]
Highly regarded by director Billy Wilder, Seitz worked with him on the films noir Double Indemnity (1944), The Lost Weekend (1945), and Sunset Boulevard (1950), receiving Academy Award nominations for each. During his career, he received seven nominations for Academy Award for Best Cinematography.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Cinematographer Lol Crawley says, “We’ve always shot on film.” “The Brutalist” tells the story of Hungarian Jewish architect László Tóth, played by Adrien Brody.
Best Black-and-White Cinematography ... Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950). [4] [5] Style
Lupino's best-known directorial effort, The Hitch-Hiker, a 1953 RKO release, is the only film noir from the genre's classic period directed by a woman. [26] [27] Her first directing job came unexpectedly in 1949 when director Elmer Clifton suffered a mild heart attack and was unable to finish Not Wanted, a film Lupino co-produced and co-wrote. [11]