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The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Gilda was a cross between a hardcore noir adventure of the 1940s and the cycle of 'women's pictures.' Imbued with a modern perspective, the film is quite remarkable in the way it deals with sexual issues." [21] Mike D'Angelo of The A.V. Club said that "part of Gilda's fascination is the way that it complicates the idea of the femme fatale ...
A remake of the 1946 noir film (based on James M. Cain's classic novel), this David Mamet-penned adaptation stars Jack Nicholson as a drifter who begins a steamy affair with a woman who runs a ...
Jane Greer (born Bettejane Greer; September 9, 1924 – August 24, 2001) was an American film and television actress best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past. In 2009, The Guardian named her one of the best actors never to have received an Academy Award nomination. [1]
Constance Frances Marie Ockelman (November 14, 1922 – July 7, 1973), known professionally as Veronica Lake, was an American film, stage, and television actress.Lake was best known for her femme fatale roles in films noir with Alan Ladd during the 1940s, her peek-a-boo hairstyle, and films such as Sullivan's Travels (1941) and I Married a Witch (1942).
Scholar Emanuel Levy notes that the film embodies both "conventions of the noir and psychological melodrama," blurring the distinction and resulting in a unique, one-of-a-kind work. [7] Joshi identifies Ellen Berent as one of the prime examples of the femme fatale in film history. [5]
Phyllis Dietrichson (Phyllis Nirdlinger in the book) is a fictional character in the book and two film adaptations of James M. Cain's novella Double Indemnity. For the 1944 film of the same name, Barbara Stanwyck was nominated for the Academy Award for Best Actress. The character is considered one of the best femme fatale roles in film noir ...