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Media in category "Spiritual and religious images" The following 2 files are in this category, out of 2 total. Christian-Trinity-vs-Quran.png 391 × 600; 24 KB.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
English: * A vectorized version of Rainbow-diagram-ROYGBIV.PNG. Rainbow diagram showing the conventional arrangement of colours: Red Orange Yellow Green Blue Indigo and Violet. The colours shown do not necessarily correspond to actual wavelengths.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Ayida-Weddo is symbolized by the rainbow, snake, thunderbolt, and white paquet congo. [6] When represented in art, she is often depicted as a serpent consuming its own tail. [2] [13] In veves, she is invariably portrayed alongside Damballa as one of two dancing or intertwined serpents. White, as the purest color, represents her in ceremony.
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
Physically, this state may include various and unexpected movements, agitation, and all types of dancing. [1] Another state that people hope to reach through sama' is khamra, which means "spiritual drunkenness". Ultimately, people hope to achieve the unveiling of mysteries and gain spiritual knowledge through wajd. [10]
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