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Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
Drawing down the Moon (also known as drawing down the Goddess) is a central ritual in many contemporary Wiccan traditions. During the ritual, a coven 's High Priestess enters a trance and requests that the Goddess or Triple Goddess , symbolized by the Moon , enter her body and speak through her.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Ensō (c. 2000) by Kanjuro Shibata XX.Some artists draw ensō with an opening in the circle, while others close the circle.. In Zen art, an ensō (円 相, "circular form") [1] is a circle hand-drawn in one or two uninhibited brushstrokes to express the Zen mind, which is associated with enlightenment, emptiness, freedom, and the state of no-mind.
Ashtamangala: first row (left to right): parasol, pair of golden fish, conch; second row: treasure vase, lotus; Last row: infinite knot, victory banner and wheel. The Ashtamangala ( Sanskrit : अष्टमङ्गल , romanized : Aṣṭamaṅgala ) is the sacred set of Eight Auspicious Signs ( Chinese : 八吉祥 , bajixiang ) featured in ...
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
Ayida-Weddo is symbolized by the rainbow, snake, thunderbolt, and white paquet congo. [6] When represented in art, she is often depicted as a serpent consuming its own tail. [2] [13] In veves, she is invariably portrayed alongside Damballa as one of two dancing or intertwined serpents. White, as the purest color, represents her in ceremony.