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A shyrdak on the floor of a home in Aksy District, Kyrgyzstan. A shyrdak (Kyrgyz: шырдак, pronounced [ʃɯrˈdɑq]) or syrmak (Kazakh: сырмақ, romanized: syrmaq, pronounced [səɾˈmɑq]) is a stitched, and often colourful felt [1] floor and wallcovering, usually handmade in Central Asia.
Ala-kiyiz in making. After wool has been formed in patterns, the cloth is being rolled together for the fulling process.. Ala kiyiz (Kyrgyz: ала кийиз, IPA: [ɑɫɑ́ kʰɪjɪ́s]) or tekemet (Kazakh: текемет, IPA: [tʰʲekʰʲemʲét]) is an ornamenting style for textile floor- or wallcovering made by pressing wet, soaped wool of various colours together to make it felt.
The density and springiness of the felt is a major part of what creates a piano's tone. [41] [42] As the felt becomes grooved and "packed" with use and age, the tone suffers. [43] Felt is placed under the piano keys on accordions to control touch and key noise; it is also used on the pallets to silence notes not sounded by preventing air flow.
Trellis walls, roof poles and layers of felt were eventually replaced by stone, brick beams and planks. [2] Mongolian artist and art historian N. Chultem identified three styles of traditional Mongolian architecture (Mongolian, Tibetan and Chinese), alone or in combination. Batu-Tsagaan (1654), designed by Zanabazar, was an early quadratic temple.
The Mongolian ger has one or more columns to support the crown and straight roof poles. The (self-supporting) wood frame is covered with pieces of felt. Depending on availability, felt is additionally covered with canvas and/or sun covers. The frame is held together with one or more ropes or ribbons.
Mongolian culture is also known for its distinctive architectural style, which reflects the country's nomadic tradition and its harsh weather during the winter months and rugged landscape. Mongolian homes or known as "ger" circular in shape and are constructed using a variety of materials including felt and wooden parts.
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