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By the beginning of November, Les Films du Losange found the film was performing "strongly" in France. [106] In the United States and Canada, Sony moved it from 10 to 22 screens by 25 January 2006 to gross $718,406. [102] It opened in the United Kingdom making £169,000 in its first weekend, reaching £1 million by 24 March 2006. [107]
The President (French: Le Président) is a 1961 French political thriller film directed by Henri Verneuil and based on, though altering, the ending of, the novel of the same title by Georges Simenon. It tells the story of a French prime minister ( Jean Gabin ), a lifelong proponent of the national good, who is twice betrayed by an opportunistic ...
Presidents (French: Présidents) is a 2021 French political satire film written and directed by Anne Fontaine. [5] Although it was promoted with the disclaimer that "any resemblance to real persons is purely coincidental", the film stars Jean Dujardin and Grégory Gadebois in roles inspired by former French presidents Nicolas Sarkozy and François Hollande, respectively. [6]
Streaming television is the digital distribution of television content, such as and films and television series, streamed over the Internet. [1] Standing in contrast to dedicated terrestrial television delivered by over-the-air aerial systems, cable television, and/or satellite television systems, [2] streaming television is provided as over-the-top media (OTT), [3] or as Internet Protocol ...
In one of his promotional interviews for the film, the French-Canadian director decided to make some film discourse but ended up repeating a well-known prejudice that, I think, has hurt movies ...
FilmStruck was a film streaming service from Turner Classic Movies which catered to cinephiles and focused on rare, classic, foreign, arthouse, and independent cinema. It launched in November 2016 and succeeded Hulu as the exclusive online streaming home of The Criterion Collection.
For her, the film highlights Guy's "role in the development of a hybrid cinema that questions notions of 'realism' and 'artifice' in gendered performativity". She finds that Guy took "a slightly feminist, though dominantly white and racist perspective" blending "spectacle and realism in an unprecedented manner.
The great films in terms of what lasts — because you see a movie that sort of floored me at 12 but it's kind of heartbreaking when you see it as you grow old.