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The carte de visite ( French: [kaʁt də vizit], English: ' visiting card ', abbr. 'CdV', pl. cartes de visite) was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero . Each photograph was the size of a visiting card, and such photograph cards, in ...
Visiting card. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).
British Journal of Photography (initially established as the Liverpool Photographic Journal) first issue was published on 14 January 1854; André-Adolphe-Eugène Disdéri credited with introduction of the carte de visite (English: visiting card or calling card) format for portraiture. Disdéri uses a camera with multiple lenses that can ...
The Center for Creative Photography ( CCP ), established in 1975 and located on the University of Arizona 's Tucson campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Harry Callahan and Garry Winogrand, as well as a ...
Photo album manufacturers responded by producing albums with pages primarily for cabinet cards with a few pages in the back reserved for the old family carte de visite prints. For nearly three decades after the 1860s, the commercial portraiture industry was dominated by the carte de visite and cabinet card formats.
H. Tønnies: Jens Bangs Stenhus in Aalborg (1890). The technique of carte de visite photography was brought to Denmark by Rudolph Striegler in 1860. It spread rapidly and by the 1870s provided a cheap and attractive alternative to portrait painting for photographers such as Ludvig Grundtvig (1836–1901) and Adolph Lønborg (1835–1916) in Copenhagen, and Heinrich Tønnies (1856–1903) who ...
Real photo postcard. A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard ( RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard ...
A. & G. Taylor was a British photographic business, and manufacturer of cabinet cards and cartes de visite, and later picture postcards. In 1866, the photographers Andrew Taylor (1832–1909) [ 1] and George Taylor opened their first studio in London's Cannon Street. They expanded to have 30 outlets in major British cities and some in the US.
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