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Sonetos de la Muerte (Sonnets of Death) is a work by the Chilean poet Gabriela Mistral, first published in 1914. She used a nom de plume as she feared that she may have lost her job as a teacher. [1] The work was awarded first prize in the Juegos Florales, a national literary contest.
A. Alberte González, M. E Roca Barea. "Edición de artes predicatorias latinas medievales". La filología latina hoy: Actualización y perspectivas, Vol. 1, 1999, ISBN 84-930825-1-1, págs. 591-597; M.E Roca Barea: La influencia de Cicerón y Quintiliano en las ideas sobre el estilo en las cartas de Plinio el Joven.
Chronicle of a Death Foretold (Spanish: Crónica de una muerte anunciada) is a novella by Gabriel García Márquez, published in 1981. It tells, in the form of a pseudo-journalistic reconstruction, the story of the murder of Santiago Nasar by the Vicario twins.
Garcilaso de la Vega, KOS (c. 1501 – 14 October 1536) was a Spanish soldier and poet. Although not the first or the only one to do so, he was the most influential poet to introduce Italian Renaissance verse forms, poetic techniques, and themes to Spain.
Poet: Because the world, which has so mocked me, will then associate you with me, and you will find yourself by association. [ 14 ] This reading is also possible, as the speaker in other sonnets did speak of his name having a stigma attached to it (Sonnet 111), of being despised and disgraced by men (Sonnet 29), and also of being battered and ...
The sonnet form crossed the Atlantic quite early in the Spanish colonial enterprise when Francisco de Terrazas, the son of a 16th-century conquistador, was among its Mexican pioneers. Later came two sonnet writers in holy orders, Bishop Miguel de Guevara (1585–1646) and, especially, Sister Juana Inés de la Cruz. But though sonnets continued ...
Lope de Vega: Three Major Plays ISBN 978-0-19-954017-4: blank octosyllables El mejor mozo de España: The Best Boy in Spain: 1999 Gitlitz, David M. The Best Boy in Spain at the Internet Archive ISBN 9780927534857: La dama boba: Wit's End: 2000 Friedman, Edward H. Wit's End; an adaptation of Lope de Vega's La dama boba ISBN 0820445320
Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe