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Grade 9 Grade 10 SCIENCE: 1st Quarter- Chemistry 7 ... 2nd Quarter- Physics 10 3rd Quarter - Physics 7 ... Music, Arts, Physical Education, and Health 8 ...
the greater undecimal neutral second play ⓘ, has a ratio of 11:10 between the two tones and is about 165.00 cents wide. The lesser undecimal neutral second may be derived from the harmonic series as the interval between the eleventh and twelfth harmonics.
The second note begins a metric grouping, falling on a stressed beat of the meter. This change in notation (choosing the tie rather than the longer note value) does not affect performance, but it makes the music easier to read. Sometimes it can be used to make it clear that it has the appropriate rhythm.
For instance, in Pythagorean tuning the diminished second is a descending interval (524288:531441, or about −23.5 cents), and the Pythagorean comma is its opposite (531441:524288, or about 23.5 cents). 5-limit tuning defines four kinds of comma, three of which meet the definition of diminished second, and hence are listed in the table below.
A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
A quarter note or crotchet (/ ˈ k r ɒ t ʃ ɪ t /) is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem .
In the case of quarter-comma meantone, where the major third is made narrower by a syntonic comma, the whole tone is made half a comma narrower than the major tone of just intonation (9:8), or half a comma wider than the minor tone (10:9). This is the sense in which quarter-tone temperament is often considered "the" exemplary meantone ...