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In Argentina, the word Tango seems to have first been used in the 1890s. In 1902, the Teatro Opera started to include tango in their balls. [11] Initially tango was just one of the many dances practiced locally, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands ...
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga , Spanish-Cuban Habanera , and Uruguayan Candombe celebrations. [ 1 ]
Alberto's definitive work is the book Gotta Tango, which he co-authored with Valorie Hart. The book begins with the culture, history, and music of Buenos Aires that evolved into the Argentine tango dance. The instructional section of the book explains the fundamental concepts and techniques of dancing Argentine tango. [4]
The late Robert Farris Thompson (Professor of Art History at Yale University, specialist in Africa and Afro-Atlantic world, and author of Tango: The Art History of Love) wrote extensively about the African roots of tango. Tango started black, and milonga, the dance preceding it, even more so.
Ballroom tango is a ballroom dance that branched away from its original Argentine roots by allowing European, American, Hollywood, and competitive influences into the style and execution of the dance. The present day ballroom tango is divided into two disciplines: American Style and International Style. Both styles may be found in social and ...
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
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Alejandro Laguna also explored the connections between Fado and Tango more deeply through his own dance practice. In 2001 he was invited to dance tango to Fado music played by the master of Portuguese guitar, António Chainho, at the Prémio Bordalo awards ceremony. This televised event took place in the Grand Auditorium of Culturgest. [18]