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A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The painting depicts an incident in the Odyssey, the epic poem by Homer which recounts the Greek hero Odysseus' 10 year long return journey home from the Siege of Troy. A blind giant Cyclops, Polyphemus, is preparing to hurl a large rock at the escaping boat of Odysseus and his crew. Odysseus in return is taunting him from the stern of the vessel.
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According to Bernard Knox, "For the plot of the Odyssey, of course, her decision is the turning point, the move that makes possible the long-predicted triumph of the returning hero". [45] Odysseus's identity is discovered by the housekeeper, Eurycleia , as she is washing his feet and discovers an old scar Odysseus received during a boar hunt.
Nausicaa (second from right) with Athena and Odysseus. Detail of an Attic red-figured amphora from Vulci (c. 440 BC)Nausicaa (/ n ɔː ˈ s ɪ k ɪ ə /; [1] [2] Ancient Greek: Ναυσικάα, romanized: Nausikáa [nau̯sikáaː], or Ναυσικᾶ, Nausikâ, [nau̯sikâː]), also spelled Nausicaä or Nausikaa, is a character in Homer's Odyssey.
When they shouted back, inquiring whether Polyphemus was in danger, he replied that "Nobody" was trying to kill him, so presuming that he was not in any danger, none of them came to his rescue. The story of the Cyclops can be found in the Odyssey, book 9 (in the Cyclopeia). Use of the name "Nobody" can be found in five different lines of Book 9.
The Telegony was a short two-book epic poem recounting the life and death of Odysseus after the events of the Odyssey. In this mythological postscript, Odysseus is accidentally killed by Telegonus, his unknown son by the goddess Circe. After Odysseus's death, Telemachus returns to Aeaea with Telegonus and Penelope, and there marries Circe.
The painting's catalogue entry at the time of its first exhibition described it as "Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe crowns him, Herodotus burns incense. [2] The Iliad and Odyssey sit at his feet." Study for Phidias in The Apotheosis of Homer, oil on canvas, 1827, San Diego Museum of Art