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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).
It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯. Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by Keith Richards.
Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the tonic's scale (as opposed to, for example, that of its position in the scale of the chord being played). In the key of B ♭, 1/3 stands for B ♭ /D, 5/7 stands for F/A, 6m/5 stands ...
Without the third, this added tone chord becomes a 7sus4 (suspended 7th chord). For instance: C 11 without 9th = C 7add11 = C–E–G–B ♭ –(D)–F C 7add11 without 3rd = C–(E)–G–B ♭ –(D)–F C–F–G–B ♭ = C 7sus4. The table below shows the names, symbols, and definitions for the various kinds of eleventh chords, using C as ...
(C,C,G,C,E,G,B ♭,C). [16] To strengthen a given chord, Vincent Persichetti's Twentieth-century harmony recommends adding perfect fifths above the initial overtones, rather than adding higher overtones, such as B ♭ and the higher C. [16] [17] Persichetti's book influenced Fripp. [18] In new standard tuning C is the fundamental overtone,