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"VCR"-format cassettes in case (left) and on own (right). A full-size CD is shown for scale. Size comparison between a Betamax cassette (top) and a VHS cassette (bottom) The videotape format war was a period of competition or "format war" of incompatible models of consumer-level analog video videocassette and video cassette recorders (VCR) in the late 1970s and the 1980s, mainly involving the ...
PAL VHS resolution is roughly 333×576 pixels for luma and 40×576 pixels for chroma (although when decoded PAL and SECAM half the vertical color resolution). JVC countered 1985's SuperBeta with VHS HQ, or High Quality.
A size comparison between the original VHS format, VHS-C, and the more recent MiniDV. VHS-C had similar video quality as Video8, but a significantly shorter run time. During the 1980s, 20-minute VHS-C cassettes were the norm. In 1989 JVC increased the run time to 30 minutes by using thinner tape. [3] Later, JVC offered 45-minute and 60-minute ...
Monthly rental fees to cable, TiVo, and satellite were also less with D-VHS. [clarification needed] The only PAL D-VHS model sold in Europe was the JVC HM-DR10000, also sold as the Philips VR-20D, and was standard definition only. This model was not a bitstream recorder, although it did have a FireWire input.
JVC VHS vs. Sony Betamax vs. Philips Video 2000, the analog video videotape format war. The competition started in 1976 and by 1980, VHS controlled 70% of the North American market. VHS's main advantage was its longer recording time. From the consumer perspective, VHS blank media held more hours and therefore was less expensive.
The luminance carrier was shifted from 4.2 MHz for regular 8-mm up to 5.7 MHz for Hi8, and the frequency deviation was increased to 2 MHz from the 1.2 MHz of standard 8-mm. Like S-VHS, Hi8 was officially rated at a luminance resolution of 400 lines, [12] a vast improvement from their respective base formats and are roughly equal to LaserDisc ...
JVC felt that accepting Sony's offer would yield results similar to the U-Matic deal, with Sony dominating. [26] By 1980, JVC's VHS format controlled 60% of the North American market. [27] The large economy of scale allowed VHS units to be introduced to the European market at a far lower cost than the rarer Betamax units. In the United Kingdom ...
The JVC GR-C1 VideoMovie was a camcorder released in March 1984 by JVC. It was notable as the second consumer-grade all-in-one camcorder after 1983 Sony Betamovie , as opposed to earlier portable systems in which the camera and recorder were separate units linked by a cable ( portapaks ), and as the first VHS-C camcorder.
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