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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The stones we use are of a wider variety than those usually associated with Indian jewelry. The symbols and narrative on our pieces are expansions of traditional symbols and stories.” [8] Southwest Native American art dealer and book author Martha Hopkins Lanman Struever held the first gallery show for Bird and Johnson in Chicago in 1978 ...
Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long. [citation needed] A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Wallace, of Alutiiq descent (also called Sugpiaq Eskimo) was born in 1957 in Seattle. [1] After high school she spent time in Alaska where her grandmother lived. [2] She studied lapidary work and silversmithing in Seattle, and at age 19 began to study at Institute of American Indian Arts (IAIA) in Santa Fe. [3]
Native American jewelers (21 P) Pages in category "Native American jewelry" The following 5 pages are in this category, out of 5 total.
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