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The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier.
Allegro con spirito; Theme and variations: Cantabile; In the second quartet, the piano and the strings are equal partners. [2] It opens unusually with an Adagio assai movement. The second movement is in sonata form, in E-flat minor. Some elements seem to anticipate the last movement of the Piano Sonata No. 8, the Pathétique.
Joseph Haydn's String Quartets, Op. 64, is a set of six string quartets composed in 1790. Along with six earlier quartets published under the opus numbers 54 and 55, they are known as the Tost quartets, after the Hungarian violinist and later merchant Johann Tost who helped Haydn find a publisher for the works.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
Notes Chamber music: 1: 1900: ... Allegro con spirito (B ... Allegro con brio; for orchestra: Chamber music: 119: 1916: 2 Old English Songs. Sally in Our Alley;
The exposition starts in the tonic key and ends in the dominant key. The development plays around with the first theme of the exposition, slowly building intensity until both hands play constant sixteenth notes. The right hand plays a second voice above its 16th notes, and a little later, the left hand plays a bass line consisting of just B ...