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Cannonball Musical Instruments first began as a saxophone manufacturer. Cannonball saxophones in current production are student Alcazar, intermediate Sceptyr, and professional Big Bell Stone Series, Vintage Series, and Key Artist Series models, [4] are made in a variety of finishes including The Brute (aged brass), Raven (iced black), Mad Meg (bare brass), and Hotspur (iced black and iced silver).
Solo de Concours Op. 13 for Alto Saxophone and Piano (1874)—Paul Agricole Génin; Le Val Fleuri (1888)—Louis Ganne; Hot-Sonate (1930)—Erwin Schulhoff; Sonata for Alto Saxophone and Piano (1931)—Wolfgang Jacobi; Suite for Alto Saxophone and Piano (1935)—Paul Dessau; Aria for alto saxophone and piano (1936)—Eugène Bozza
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The alto saxophone is pitched in the key of E ♭, smaller than the B ♭ tenor but larger than the B ♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music).
From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet.By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, [3] and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone.
Albright plays a professional Big Bell Stone Signature Series model of saxophone made by Cannonball Musical Instruments.Of the two necks that are furnished with the Cannonball saxophones, he usually uses the "Fat Neck" with the octave vent tube on the bottom of the neck, a design similar to some vintage Conn 6M models.On mouthpieces, he uses a Beechler Diamond on alto with Silverstein Hexa ...
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
The Allmusic review by Richard S. Ginell awarded the album 3½ stars and states: "Cannonball was a populist at heart, and his generosity of spirit shines through this often deliciously diverse album, which ranges wildly from flat-out soul to Brazilian music to a cautious toedip into the avant-garde.... This is a fascinating contemporary ...
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