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24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...
(comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1: Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 16 kHz 24, 32 kbit/s 16 bit 40 ms Yes No No No G.722.1C Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 32 kHz 24, 32, 48 kbit/s 16 bit 40 ms Yes No No No
Sbus 32-bit/25 MHz: 800 Mbit/s: 100 MB/s: 1989 DEC TURBOchannel 32-bit/25 MHz: 800 Mbit/s: 100 MB/s: Local Bus 98 32-bit/33 MHz: 1056 Mbit/s: 132 MB/s [35] VESA Local Bus (VLB) 32-bit/33 MHz: 1067 Mbit/s: 133.33 MB/s: 1992 PCI 32-bit/33 MHz: 1067 Mbit/s: 133.33 MB/s: 1993 HP GSC-1X: 1136 Mbit/s: 142 MB/s: Zorro III 32-bit/async (eq. 37.5 MHz ...
64 volume settings / 8 bit: 16 kHz FM synthesizer: 6-voice FM synthesizer, 5 percussion instruments Roland MT-32: 1987: 16 bit: 32 kHz MIDI synthesizer: 8 melodic channels; 1 rhythm channel Sound Blaster: 1989: 8 bit: 22.05 kHz FM synthesizer + DSP: 1 DAC; 11-voice FM synthesizer Innovation SSI-2001: 1989: 8 bit: 3906.19 Hz max. PSG: 3 voices ...
16 devices 64 channels 83 μs per hop 48 kHz UMAN IEEE 1394 and Ethernet AVB [o] Isochronous and asynchronous Coexists with Ethernet IP-based XFN Daisy chain in ring, tree, or star (with hubs) fault tolerant ring, device redundancy Cat5e=50 m, Cat6=75 m, MM=1 km, SM=>2 km Unlimited 400 channels (48 kHz/24 bit) [p] 354 μs + 125 μs per hop [q]
G.711.1 allows a series of enhancement layers on top of a raw G.711 core stream (Layer 0): Layer 1 codes 16-bit audio in the same 4kHz narrowband, and Layer 2 allows 8kHz wideband using MDCT; each uses a fixed 16 kbps in addition to the 64 kbps core. They may be used together or singly, and each encodes the differences from the previous layer.
Bit depth directly corresponds to the resolution of each sample in a set of digital audio data. Common examples of bit depth include CD quality audio, which is recorded at 16 bits, SACD with effective 20-bit resolution, and DVD-Audio, which can support up to 24-bit audio. Bit rate
The first (slot 0) is 16 bits long and contains validity flags for the remaining slots, while the remaining 240 bits are divided in twelve 20-bit slots (slots 1–12), used as data slots. Slots 1, 2 and 12 are used for non-audio data, while slots 3–11 carry up to nine channels of raw pulse-code modulation audio signals.
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