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Octyldodecanol is a branched-chain primary alcohol used as the isomer 2-octyl-1-dodecanol in cosmetics such as lipstick, [2] or as an anti-blooming agent in facepowder. [3] It is a medium spreading emollient, with equilibrium spreading pressure of 17.0 dyne/cm. [4] Octyldodecanol is in the class of Guerbet alcohols, because it has the branch at the β position. [5]
Directed by Quentin Tarantino, who also wrote the story for the two-part episode, and written by series creator Anthony E. Zuiker, Carol Mendelsohn, and Naren Shankar, Grave Danger is the 24th and the 25th episode of the season and the 116th and the 117th episode of the series overall, and aired on CBS on May 19, 2005.
The Begleitungsmusik zu einer Lichtspielscene [n 1] (Drohende Gefahr, Angst, Katastrophe), Op. 34 (literally "Accompaniment Music for a Light Play Scene (Threatening Danger, Fear, Catastrophe)")—also known in English as Accompaniment to a Film Scene, [3] Accompaniment to a Cinematographic Scene, [4] Accompaniment to a Cinematic Scene, [5] and Music to Accompany a Cinema Scene [6] —is an ...
After the FDA has banned red dye No.3, you may be wondering which drinks and candies contain it. Here's the full list—plus, when it'll be removed from shelves.
The Dangerous Liaisons is an opera in two acts and eight scenes, with music by Conrad Susa to an English libretto by Philip Littell.It is based on the 1782 novel Les Liaisons dangereuses by Pierre Choderlos de Laclos.
Allison Keene of Collider was originally going to rate the episode with a C, but gave it a B for the "Skinny Pete scene and the cook montage", adding: "Introducing Skinny Pete in 'Hazard Pay' with him artfully and flawlessly dancing through a piano melody on a keyboard in the music store was funny, but also deeply sad." She added about the cook ...
The phrase "all due respect" is spoken by several characters, starting with a drug dealer addressing Omar Little as Omar is robbing him. "Respect" is a recurring theme in the episode, in which many characters, on either side of the law (e.g., McNulty and Bodie), struggle against authority figures.
Shots 2 to 7 are hand-coloured, using the Pathécolor stencil-based tinting process, and Abel stresses how the coloring plays an important role, in particular with the explosion at the end of the 6th scene and the garish reds and yellows of Sancho's costume in the 7th scene. The final scene, Don Quixote's death, is tinted in a somber blue.