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[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
At about 2:50, there are several distinct changes: a key change to an ambiguous tonality centering on Bb (the chords are Bb, C, Am, and Em), a new vocal melody in 4/4 time ("Coins and crosses") accompanied by a second vocal track of Anderson singing a lower harmony with himself, plus Chris Squire and Steve Howe providing a rhythmically faster ...
Similarly, G Major can be played as an open G-shaped chord and the next shape in which the chord appears is as an E-shape (barred at the third fret), followed by the D-shape (barred at the 5th fret); the CAGED pattern then begins again with a C-shape barred at the 7th fret, an A-shape at the 10th fret, and so on.
The modern word guitar and its antecedents have been applied to a wide variety of chordophones since classical times, sometimes causing confusion. The English word guitar, the German Gitarre, and the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة (qīthārah) [6] and the Latin cithara, which in turn came from the Ancient Greek ...
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [26] which are sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths tuning. [27]
The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and the seventh of one chord moves down a half-step to become the third of the next chord.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...