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The Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya, Kagyu, Jonang) classify tantric practices and texts into four categories or "doors" of entry. They are classified according to the capacity of persons who they were taught for, as well as according to the strength of how they use desire and the specific types of methods ...
Gyuto (Tibetan: རྒྱུད་སྟོད།, Wylie: rgyud stod, THL: gyü-tö) was founded in 1475 by Jetsun Kunga Dhondup and is one of the main tantric colleges of the Gelug tradition. In Tibet, monks who had completed their geshe studies would be invited to join Gyuto or Gyume, another tantric institution, to receive a firm grounding ...
The Seventeen Tantras of the Esoteric Instruction Series (Tibetan: མན་ངག་སྡེའི་རྒྱུད་བཅུ་བདུན, Wylie: man ngag sde'i rgyud bcu bdun) or the Seventeen Tantras of the Ancients (rnying-ma'i rgyud bcu-bdun) are an important collection of tantras in the Nyingma school of Tibetan Buddhism.
Although many of the songs of realization date from the mahasiddha of India, the tradition of composing mystical songs continued to be practiced by tantric adepts in later times and examples of spontaneously composed verses by Tibetan lamas exist up to the present day, an example being Khenpo Tsultrim Gyamtso Rinpoche. [3]
Namgyal Monastery (Tibetan: རྣམ་རྒྱལ།, Wylie: rnam rgyal) (also often referred to as "Dalai Lama's Temple") is in Mcleod Ganj, Dharamsala, India. It is the personal monastery of the 14th Dalai Lama. Another name for this temple-complex is Namgyal Tantric College.
Losar (Tibetan: ལོ་གསར་, Wylie: lo-sar; "new year" [1]) also known as Tibetan New Year, is a festival in Tibetan Buddhism. [2] The holiday is celebrated on various dates depending on location ( Tibet , Bhutan , Nepal , India ) tradition.
The somaya (Tibetan: དམ་ཚིག, Wylie: dam tshig, Japanese and Chinese: 三昧耶戒, J: sonmaya-kai, C: Sān mè yē jiè), is a set of vows or precepts given to initiates of an esoteric Vajrayana Buddhist order as part of the abhiṣeka (empowerment or initiation) ceremony that creates a bond between the guru and disciple.
Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.