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Bugaku court dance draws heavily from the Buddhist imported culture, but also incorporates many traditional Shinto aspects. These influences eventually mixed together and over the years were refined into something uniquely Japanese, bugaku. [4] Gagaku is the court music that goes beside the bugaku court dance. Tadamaro Ono is a palace musician ...
Japanese values are cultural goals, beliefs and behaviors that are considered important in Japanese culture. From a global perspective, Japanese culture stands out for its higher scores in emancipative values, individualism, and flexibility compared to many other cultures around the world. There is a similar level of emphasis on these values in ...
Originally Yamato-damashii did not bear the bellicose weight or ideological timbre that it later assumed in pre-war modern Japan. It first occurs in the Otome (乙女) section of The Tale of Genji (Chapter 21), as a native virtue that flourishes best, not as a contrast to foreign civilization but, rather precisely, when it is grounded on a solid basis in Chinese learning.
Classroom of the Elite (Japanese: ようこそ実力至上主義の教室へ, Hepburn: Yōkoso Jitsuryoku Shijōshugi no Kyōshitsu e, lit. ' Welcome to the Classroom of Real Ability Supremacism ' ) , abbreviated as Yōjitsu (よう実) in Japan, is a Japanese light novel series written by Shōgo Kinugasa, with illustration by Shunsaku Tomose.
This is an accepted version of this page This is the latest accepted revision, reviewed on 4 February 2025. Moral code of the samurai This article is about the Japanese concept of chivalry. For other uses, see Bushido (disambiguation). This article's lead section may be too short to adequately summarize the key points. Please consider expanding the lead to provide an accessible overview of all ...
Japanese culture's influence on political values is paramount to the explanation of Japanese values in contemporary Japan, as the Japanese culture functions more of an ideological base that can be seen to embody Japanese Political values, through cultural and social norms.
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The second section, titled "The Male Domain", starts with an essay by Tom Gill discussing cultural narratives of superheroes across Japanese history. [5] Bill Kelly proposes an argument for the popularity of karaoke in Japanese culture, and Isolde Standish 's chapter draws comparison between the anime film Akira (1988) and bōsōzoku culture. [ 6 ]