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A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
Business to business only. Tetenal (Germany) Manufacture/packing of photographic chemicals under own brand and for Ilford & Kodak. Receivership in 2018. Yodica (Italy) Creative (pre-exposed) color films. (using 3rd party stock)
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Burning: a darkroom technique. To burn-in a print, the print is first given normal exposure. Next, extra exposure is given to the area or areas that need to be darkened. A card or other opaque object is held between the enlarger lens and the photographic paper in such a way as to allow light to fall only on the portion of the scene to be darkened.
Electronic Timer-Analyzer. A photo-lab timer, photo interval timer, or darkroom timer is a timer used in photography for timing the process of projecting negatives to photosensitive paper with an enlarger, making photographic prints of them at any scale.
The camera obscura (from the Latin for 'dark room') is a natural optical phenomenon and precursor of the photographic camera. It projects an inverted image (flipped left to right and upside down) of a scene from the other side of a screen or wall through a small aperture onto a surface opposite the opening.
Fixed safelight in darkroom. An amber (light brown) safelight for use with certain black-and-white photographic papers. A safelight is a light source suitable for use in a photographic darkroom. It provides illumination only from parts of the visible spectrum to which the photographic material in use is nearly, or completely insensitive.
In amateur processing, the film is removed from the camera and wound onto a reel in complete darkness (usually inside a darkroom with the safelight turned off or a lightproof bag with arm holes). The reel holds the film in a spiral shape, with space between each successive loop so the chemicals may flow freely across the film's surfaces.
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