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The Hotel Employees and Restaurant Employees Union (HERE) was a United States labor union representing workers of the hospitality industry, formed in 1890. In 2004, HERE merged with the Union of Needletrades, Industrial, and Textile Employees (UNITE) to form UNITE HERE. HERE notably organized the staff of Yale University in 1984.
In 1946, after moving the barn to improve the view from the house, Pollock started using that building as his studio. Krasner began using the bedroom as her studio. Pollock's brother had given him a large collection of square Masonite baseball game boards, and in 1953, Pollock used them to cover the floor of the house and studio.
Airborne chemicals, such as smog or cigarette smoke are also harmful to the textiles, and should be avoided if at all possible. In museum or otherwise specialist collections, high-efficiency air filters are typically installed throughout the building to reduce the presence of airborne chemicals that may stain, discolor, or weaken fabrics.
This month, it was the home of the debut of the Déserts collection, which inluded fabrics, wallpapers, carpets, and rugs along with a new range of plains, including Chroma, a flag display created ...
Richard C. Kessler is an entrepreneur in the field of hotel development and operations. Kessler has been Chairman and CEO of The Kessler Enterprise, Inc. since 1984. He is also Former Chairman, President and CEO, Days Inn of America, Inc. and Former Chairman of Lutheran Brotherhood.
Milliken & Company is an American industrial manufacturer that has been in business since 1865. With corporate headquarters located in Spartanburg, South Carolina, the company is active across a breadth of disciplines including specialty chemical, [1] floor covering, [2] performance and protective textile materials, and healthcare.
Music Industry Moves: Concord Acquires Ed Sheeran Collaborator Johnny McDaid’s Catalog; Jamie Kinelski Joins UMPG
Eleanor Roosevelt at the dedication of South Side Community Art Center (May 7, 1941). Efforts to open a community art center on Chicago's South Side began in 1938. Peter Pollack, a Federal Art Project official, contacted Metz Lochard, an editor at the Chicago Defender, about having the Art Project sponsor exhibitions of African American artists, who often had trouble securing space to display ...
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