Search results
Results from the WOW.Com Content Network
In 2005, Gomez returned to Edison Studios with Baron to create a jazz remix of Smokey Robinson’s 1975 soul hit “Quiet Storm” for the album Motown Remixed. Gomez and Baron maintained the song’s original vocal and flute tracks and floated them over a new production that featured a four-piece jazz combo, which included drummer Jojo Mayer ...
School Days is the fourth solo album by jazz fusion bassist Stanley Clarke, released in 1976. [ 2 ] [ 3 ] The album reached number 34 on the Billboard 200 chart and number 2 on the Jazz Albums chart.
[2] Writing for HipHopDX, Eric Diep describes the album as "beautifully written, using imagery of fists clenched, finding your heart, and smiling in the sunshine." [ 13 ] Shaad D'Souza's review for The Guardian states that the album's songs "possess a renewed urgency and velocity."
A remix (called a "Re-Recording") was done for "Jazz (We've Got)" and was featured on The Love Movement and Revised Quest for the Seasoned Traveller. "Your mic & my mic, come on, yo, no equal”, a Q-Tip line on "Jazz (We've Got) (Re-Recording)" can be heard in the chorus on "No Equal" by The Beatnuts from their 1993 EP Intoxicated Demons: The EP.
List of collaborative albums, with selected chart positions Title Album details Peak chart positions US US R&B/HH US Rap US Indie UK UK R&B; Liberation (with Talib Kweli): Released: March 20, 2007
Eastwood After Hours: Live at Carnegie Hall is a two-disc live album by American actor Clint Eastwood and various jazz musicians. Released on April 29, 1997, by Warner Bros. Records, it compiles material from Eastwood's film scores—including Play Misty for Me (1971), Honkytonk Man (1982), Bird (1988), Thelonious Monk: Straight, No Chaser (1988), and White Hunter Black Heart (1990 ...
Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD box set by the Miles Davis Quintet compiling studio recordings by jazz trumpeter Miles Davis recorded between 1966 and 1968. [8] The album contains remastered versions, alternate takes, and conversations among the musicians.
Jones has since been replaced by Ife Ogunjobi. The members of Ezra Collective met at the jazz programme Tomorrow's Warriors, run by Gary Crosby. [6] The jazz group has claimed that they faced challenges in succeeding as young jazz musicians in London, with Femi Koleoso saying: "I saw jazz music as an elite art form that I didn't have access to."