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Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise , where van Gogh spent the last 70 days of his life. [ 2 ]
The painting was bought from Pissarro by the German businessman Julius Cassirer in 1897, and it was inherited by his son Fritz Cassirer and then by Fritz's wife Lilly. She remarried, but in 1939, as a German Jew, she was forced to sell the painting to Jakob Scheidwimmer, an official of the Reichskammer der bildenden Künste [], for the low price of 900 ℛ︁ℳ︁ to secure an exit visa ...
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Oil on canvas: 162.6 cm x 101.6: Cincinnati Art Museum: La Magdalena aka Scene on the Magdalena: 1854: Oil on canvas: 71.12 × 106.68 cm: Private collection The Cordilleras: Sunrise: 1854: Oil on canvas: 72.3 × 109.2 cm: Private collection A Country Home: 1854: Oil on canvas: 115.89 × 161.61 cm: Seattle Art Museum, Washington Tamaca Palms ...
Paris Street; Rainy Day (French: Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. [1] It shows a number of individuals walking through the Place de Dublin , then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare ...
The Rain It Raineth Every Day is an 1889 oil-on-canvas painting by the Newlyn School artist Norman Garstin and is perhaps his best known work. The painting depicts the seafront between Newlyn and Penzance in Cornwall, in windy and rainy weather, with waves crashing onto the promenade. The painting measures 95 cm × 164 cm (37 in × 65 in) and ...
The painting measures 180.3 centimetres (71.0 in) high by 114.9 centimetres (45.2 in) wide. It depicts a busy street scene in Paris, with most of the people depicted using umbrellas against the rain. To the right, a mother looks down at her daughters, each fashionably dressed in the styles of 1881 for the afternoon promenade.
Across the river is the Gare d'Orléans train station and the Place Carnot square. The painting shows Pissarro's interest in moving beyond traditional landscape paintings of verdant rural scenes. His Rouen series instead focuses on the bustle of the modern city. The Rouen pictures would be followed by a series of paintings of urban Paris.
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