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"Manike Mage Hithe" (Sinhala: මැණිකේ මගේ හිතේ, lit. 'Precious in my Mind') is a Sri Lankan Sinhala-language song by Yohani, Satheeshan Rathnayaka and Chamath Sangeeth. [1] [2] An official cover for the song was done by Chamath Sangeeth and released on 22 May 2021. [3] The lyrics were written by Dulan ARX.
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Songs in Sinhala" The following 3 pages are in this category, out of 3 total.
Toggle Hindi film songs subsection. 1.1 2002. 1.2 2003. ... Download as PDF; ... She also sang few songs for live concerts in Malaysian, Sinhala, Swahili, English ...
The song has been dubbed in many languages. Manoharan did a bilingual Sinhala /Tamil rendition of the song which became quite popular in Tamil Nadu , mainly due to Radio Ceylon . Ilayaraja then made a Tamil version – which had very little to do with the Sinhala version except for the refrain – for the Tamil film Avar Enakke Sontham , sung ...
The song has three different versions in Hindi, Bengali and Sinhalese, as Bangladesh, India and Sri Lanka co-hosted the event. [ 2 ] [ 3 ] The Bengali version, "Mar Ghuriye" ( Bengali : মার ঘুরিয়ে ) of the song has been sung by Raghab Chatterjee and Sinhalese version, "Sinha Udane" ( Sinhala : සිංහ උදානේ ...
The song Egodath Megodath is about the old Galle Road bridge that was built connecting Moratuwa and Panadura. [5] Meanwhile, Punsiri also sang Hindi songs at the request of his friend. They composed songs for some beautiful Hindi melodies using local musical instruments which became very popular and was an economically very successful.
"Master Sir" (Sinhala: මාස්ටර් සර්) is a Sinhala pop song written by Sri Lankan singer/songwriter Nimal Mendis for the film Kalu Diya Dhahara ("A column of black water"), in which it was performed over the title sequence by Neela Wickramasinghe.
One day he heard Jothipala singing and chose to sing Hindi songs at the weddings of the Colombo aristocracy. [7] B. S. Perera, the famous film music director who was the head of the radio orchestra who first recognized Jothipala's talents. In 1952, there was a program on the radio called 'Adhunika Peya', which showcased the talents of amateur ...