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B. David Whitworth – backing vocals (track 8) Mark Ledford – backing vocals (track 8) Tawatha Agee – backing vocals (track 8) Brooklyn Crooks – chorus shouts vocals (track 8) Clare Fischer – string arrangement and conductor (tracks: 1, 9) Peter Hunstein – programming (track 8) Raymond Jones – producer (tracks: 1, 9)
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
In addition to tracks by the Blues Brothers Band performed with guest artists such as Aretha Franklin, James Brown, Dr. John, Lonnie Brooks, Junior Wells, Eddie Floyd and Wilson Pickett, there are songs by the Paul Butterfield Blues Band and Blues Traveler as well as an all-star blues supergroup, the Louisiana Gator Boys, featuring B.B. King ...
The album was an attempt by the group to strip down their previously lush, psychedelic sound in order to be better able to perform the songs in concert. [3] Guitarist Justin Hayward remembers, "From the beginning of our recording sessions we were all convinced that we had to record an album of songs that could easily translate into effective live performances.
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971.The album reached No. 1 on the British album chart, in addition to a three-week stay at No. 2 in the United States, and produced one top-40 single, "The Story in Your Eyes".
Martin Scorsese Presents the Blues: A Musical Journey is a 2003 box set released on Hip-O Records.It is the soundtrack to the Martin Scorsese PBS documentary series The Blues. [2]
Damn Right, I've Got the Blues is the seventh studio album by Blues guitarist Buddy Guy.The album has been described by Allmusic and Rolling Stone as a commercial comeback album for Guy [4] [5] after limited recording for the previous 10 years.
The Washington Post wrote that "the thumping beats of 'Colony' or the hip-hopped 'Timebomb' are lively enough, and 'Plan 9' does have moments that qualify as gorgeous, but the notable tracks all involve outsiders: Ian McCulloch helps the State create a New Order-ly song on 'Moses', Caroline Seaman's multi-tracked vocals define the Cocteau Twins ...