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Though power chords are not true chords per se, as the term "chord" is generally defined as three or more different pitch classes sounded simultaneously, and a power chord contains only two (the root, the fifth, and often a doubling of the root at the octave), power chords are still expressed using a version of chord notation.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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Give It Away was nominated for a Grammy Award at the 49th Grammy Awards for Best Southern, Country, Or Bluegrass Gospel Album. [1] At the 38th GMA Dove Awards, both the album Give It Away and its title song won Dove Awards for Southern Gospel Album of the Year and Southern Gospel Recorded Song of the Year. It was also nominated for Long Form ...
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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The Chords. Billy Hassett – lead vocals, rhythm guitar; Chris Pope — lead guitar, backing vocals; lead vocals on "Hold On, I'm Coming" and "Dreamdolls" Martin Mason — bass, backing vocals; Brett Ascott — drums; Additional personnel. Mick Talbot — piano on "Breaks My Heart", "Hold On, I'm Coming" and "I'm Not Sure" Photography: Gered ...