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The Rosary [1] (/ ˈ r oʊ z ər i /; Latin: rosarium, in the sense of "crown of roses" or "garland of roses"), [2] formally known as the Psalter of Jesus and Mary [3] [4] (Latin: Psalterium Jesu et Mariae), also known as the Dominican Rosary [5] [6] (as distinct from other forms of rosary such as the Franciscan Crown, Bridgettine Rosary, Rosary of the Holy Wounds, etc.), refers to a set of ...
In the 17th century, the rosary began to appear as an element in key pieces of Roman Catholic Marian art. Key examples include Murrillo's Madonna with the Rosary at the Museo del Prado in Spain, and the statue of Madonna with Rosary at the church of San Nazaro Maggiore in Milan.
Five methods of praying the rosary are presented within the works of Louis de Montfort, a French Roman Catholic priest and writer of the early 18th century. Montfort was an early proponent of Mariology , and much of his work is devoted to the subjects of the Blessed Virgin Mary and the rosary .
The best known example of a rosary-based prayer is the Dominican Rosary which is ubiquitously called the rosary. In traditional form it involves contemplation on fifteen rosary mysteries (as three sets of five mysteries each), while Our Father, Hail Mary and Glory be to the Father prayers are recited. [15]
Franciscan Crown Rosary. The Franciscan Crown (or Seraphic Rosary) is a rosary consisting of seven decades in commemoration of the Seven Joys of the Virgin, namely, the Annunciation, the Visitation, the Nativity of Jesus, the Adoration of the Magi, the Finding in the Temple, the Resurrection of Jesus, and finally, either or both the Assumption of Mary and the Coronation of the Virgin.
The rosary may be prayed anywhere, but as in many other devotions its recitation often involves some sacred space or object, such as an image or statue of the Virgin Mary. [20] Anyone can begin to pray the rosary, but repeated recitations over a period of time result in the acquisition of skills for meditation and contemplation. [21]
The sanctuary of the basilica looking towards the Sorrowful Mysteries. The nave is surrounded by fifteen smaller side chapels, one for each of the traditional Mysteries of the Rosary. On the left of the nave are found the Joyful Mysteries; in the centre behind the sanctuary are the Sorrowful Mysteries, and to the right are the Glorious Mysteries.
The spread of the devotion to both the rosary and the scapular was influenced by Marian apparitions of Our Lady of Fátima reported by three Portuguese children in 1917. [14] The Fatima messages placed a strong emphasis on the rosary, and in them the Virgin Mary reportedly identified herself as The Lady of the Rosary. [15]
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