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"The Song of the Shirt" is a poem written by Thomas Hood in 1843. It was written in honour of a Mrs. Biddell, a widow and seamstress living in wretched conditions. In what was, at that time, common practice, Mrs. Biddell sewed trousers and shirts in her home using materials supplied to her by her employer for which she was forced to give a £ 2 ...
Anna Blunden -The Seamstress or For Only One Short Hour, 1854, – (Yale Center for British Art) Blunden was born on 22 December 1829 in St John's Square, Clerkenwell, London. Her parents were bookbinders, who moved to start a business making straw hats and silk flowers in Exeter (c.1833). There Blunden attended a Quaker school.
For example, the poem provoked a negative response from Lady Mary Wortley Montagu, featured in her poem “The Reasons that Induced Dr. S. to Write a Poem called The Lady’s Dressing Room.” In this poem, she voices what many thought was the reason for his writing the poem: sexual frustration.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
Elizabeth Hobbs Keckley (February 1818 – May 1907) [1] was an African-American seamstress, activist, and writer who lived in Washington, D.C. She was the personal dressmaker and confidante of Mary Todd Lincoln. [2] She wrote an autobiography. She was born enslaved to Armistead Burwell who had also fathered her.
Sister Susie's Sewing Shirts For Soldiers Sister Susie's sewing in the kitchen on a "Singer", There's miles and miles of flannel on the floor And up the stairs, And father says it's rotten getting mixed up with the cotton, And sitting on the needles that she leaves upon the chairs. And should you knock at our street door Ma whispers, "Come inside."
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The poems range from elegy and sonnet forms through jingoistic propaganda. [12] The title of the anthology is taken from the 1918 poem 'To My Brother' by Vera Brittain, one of three poems by Brittain reproduced in the anthology. The first line of the poem reads, 'Your battle-wounds are scars upon my heart'. [13]