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Costumes and Scripts in the Elizabethan Theatres. Edmonton: University of Alberta Press. ISBN 978-0-88864-226-4. Maclennan, Ian Burns (1994). "If I were a woman": A study of the boy player in the Elizabethan public theatre (PhD thesis). Mann, David Albert (1991). The Elizabethan Player: Contemporary Stage Representation. Routledge Library Editions.
The scope of this project covered articles relating to the Theatre and dramatic literature in England, between the years 1558 and 1642, spanning the reigns of three princes and sovereigns on the thrones, sharing the crowns: Queen Elizabeth I, King James VI and I as well as King Charles I, for some 84 years; from the year 1558, the first year of Queen Elizabeth's reign, right until the year ...
Title page of Gallathea.. Gallathea or Galatea is an Elizabethan era stage play, a comedy by John Lyly.The first record of the play's performance was at Greenwich Palace on New Year's Day, 1588 where it was performed before Queen Elizabeth I and her court by the Children of St Paul's, a troupe of boy actors.
The theatre's existence was discovered in court records by F. A. Bailey, a local historian, in 1952. The records describe the plot of land on which it stood as 57 feet (17 m) long on its north and south sides, 29 feet (8.8 m) on the east and 15 feet (4.6 m) on the west, "at the upper end of the street leading to Eccleston".
The Red Lion was an Elizabethan playhouse located in Whitechapel (part of the modern Borough of Tower Hamlets), just outside the City of London on the east side.. Built in 1567 for John Brayne, citizen and Grocer, this was the first known attempt to provide a purpose-built playhouse in London for the many Tudor age touring theatrical companies - and perhaps the first purpose-built venue known ...
The Curtain Theatre was an Elizabethan playhouse located in Hewett Street, Shoreditch (within the modern London Borough of Hackney), just outside the City of London. It opened in 1577, and continued staging plays until 1624.
Edward Alleyn was known for his physical size and handling of commanding parts. The evidence for his stage career is otherwise fragmentary. Other parts thought to be associated with Alleyn are Orlando in Robert Greene 's Orlando Furioso , and perhaps Hieronymo in The Spanish Tragedy by Thomas Kyd . [ 8 ]
That work, modeled on Edmund Kerchever Chambers' classic four-volume The Elizabethan Stage, has itself become a standard and essential reference work on English Renaissance theatre. Bentley was born in Brazil, Indiana, the son of a Methodist clergyman. Originally intending to be a creative writer, he changed his career to literary scholarship ...