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One of the most popular motifs were of romanticized, stereotyped Asian, African, Native American, Hawaiian people in exotic (at times inaccurate) settings or costume. Low lighting was sometimes included in the lamp design with small nightlight bulbs. TV lamps, based upon popular chalkware radio lamp designs, quickly became replaced by ceramic.
Native American remains were on display in museums up until the 1960s. [129] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
In the year 2000, the United States produced a one-dollar coin with a depiction of another named Native American: Sacagawea. [2] The engraving for the Native American on the 1899 United States five-dollar Silver was made from an 1872 image of Sioux Chief Tatoka-Inyanka (Running Antelope) captured by photographer Alexander Gardner.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Modern by Tradition: American Indian Painting in the Studio Style. Santa Fe: Museum of New Mexico Press. ISBN 0-89013-291-7. Brody, J. J., Catherine J. Scott, Steven A. LeBlanc. (1983). Mimbres Pottery: Ancient Art of the American Southwest: Essays. American Federation of Arts. ISBN 0-933920-46-6. Pritzker, Barry M. (2000).
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