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The Cloverfield Paradox is a 2018 American science fiction horror film directed by Julius Onah and written by Oren Uziel, from a story by Uziel and Doug Jung, and produced by J. J. Abrams and Lindsey Weber.
Visual main effects supervisor Nick Tom and Phil Tippett's "Tippett Studio" were enlisted to develop the visual effects for Cloverfield. [25] Because the visual effects were incorporated after filming, cast members were only familiar with early conceptual renderings of the beast and had to react to an unseen creature during their scenes. [26]
Cloverfield is an American science fiction anthology film series [1] and media franchise created and produced by J. J. Abrams consisting of three films, viral marketing websites linking the films together, and a tie-in manga to the first film titled Cloverfield/Kishin (2008), all set in a shared fictional universe referred to as the "Cloververse".
Clover does not appear in the second film of the Cloverfield franchise, the 2016 film 10 Cloverfield Lane. Despite its size, Clover was conceived by the film's creators as being a newborn. [8] In The Cloverfield Paradox (2018), a similar but significantly larger creature is seen at the conclusion of the film. Earlier in the film, a massive ...
The Butterfly Effect 2 (2006) The Butterfly Effect 3: Revelations (2009) C. Carrie (2002) Carrie (2013) ... Cloverfield: Cloverfield (2008) 10 Cloverfield Lane (2016)
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Another shaky camera effect invented on that film was one the crew called "Blank-O-Cam", where the cameraman would lie on a blanket and be carried in it by four grips, the camera pointed forward near ground level to track people's feet. [2] Further shaky cam techniques were employed by Raimi on his subsequent films including Crimewave in 1985. [10]
10 Cloverfield Lane is a 2016 American science fiction horror thriller [6] film directed by Dan Trachtenberg in his directorial debut, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken, and Damien Chazelle.