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Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
For chords, a letter above or below the tablature staff denotes the root note of the chord, chord notation is also usually relative to a capo, so chords played with a capo are transposed. Chords may also be notated with chord diagrams. Examples of guitar tablature notation: The chords E, F, and G as an ASCII tab:
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Sheets containing only the chord progressions to the song are often called chord charts or chord sheets, to distinguish them from lead sheets. These sheets could be used by the rhythm section instruments to guide their improvised accompaniment and by lead instruments for their improvised solo sections, but since they do not contain the melody, they can be used in performances only by players ...
The verse opens on "Here" in the key of G (with simultaneous I (G chord) and melody G note) and moves to a I–ii–iii–IV chord shift (G–Am–Bm–C) through "making each day of the year". [13] This repeats on "Changing my life with a wave"; but immediately after (in bar 5) the song changes on "of her hand".
Rolling Stone critic John Mendelsohn rates "The Song Is Over" as being among Daltrey's and Townshend's best work, describing it as "an unutterably beautiful song" in which Townshend sings exquisitely over a gentle piano background before and in between Daltrey charging in exhilaratingly over a hard part with breathtaking chord changes in the manner of the "Listening to you I hear the music ...
The pianist and songwriter Bruce Hornsby wrote a song titled "Spider Fingers" which uses the technique from Exercise 47. Hornsby makes a reference to the technique in the lyrics: "It's just a little hand trick/A little prestidigitation/Better get out your Hanon/A little practice and repetition" [2]
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