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The National University of Music Bucharest (Romanian: Universitatea Națională de Muzică București, UNMB) is a university-level school of music located in Bucharest, Romania. Established as a school of music in 1863 and reorganized as an academy in 1931, it has functioned as a public university since 2001.
The music of the Roman School can be seen as the culmination of a development of polyphony through the infusion of music of the Franco-Netherlandish school during the last hundred years. Franco-Netherlandish composers had long been coming to Italy to live and work— Josquin , Obrecht , Arcadelt , and many others made the long journey, and ...
According to the "admigration" theory, proposed by Dimitrie Onciul (1856–1923), the formation of the Romanian people occurred in the former "Dacia Traiana" province, and in the central regions of the Balkan Peninsula. [221] [222] [223] However, the Balkan Vlachs' northward migration ensured that these centers remained in close contact for ...
The third theory also known as the admigration theory, proposed by Dimitrie Onciul (1856–1923), posits that the formation of the Romanian people occurred in the former "Dacia Traiana" province, and in the central regions of the Balkan Peninsula.
Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
The admigration theory can be presented separately, I didn't consider it notable because as @Borsoka said somewhere "if the theory includes the territory north of the Danube it is part of continuity theory" - again, and I can't stress this enough, the 3 theories speak of later stages of the language, when it was already formed ie when we can ...
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...