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A symbol invented by John Dee, alchemist and astrologer at the court of Elizabeth I of England. It represents (from top to bottom): the moon; the sun; the elements; and fire. Ouroboros: Ancient Egypt and Persia, Norse mythology: A serpent or dragon consuming its own tail, it is a symbol of infinity, unity, and the cycle of death and rebirth ...
An ouroboros in a 1478 drawing in an alchemical tract [1] The ouroboros or uroboros (/ ˌ j ʊər ə ˈ b ɒr ə s /; [2] / ˌ ʊər ə ˈ b ɒr ə s / [3]) is an ancient symbol depicting a serpent or dragon [4] eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition.
Girdle of Hippolyta, a girdle that was a symbol of Hippolyta's power over the Amazons, and given to her by Ares. Heracles' 9th Labor was to retrieve it. (Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that the Egyptian gods ...
Eternity, in common parlance, is an infinite amount of time that never ends or the quality, condition or fact of being everlasting or eternal. [1] Classical philosophy , however, defines eternity as what is timeless or exists outside time, whereas sempiternity corresponds to infinite duration.
Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations; this decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it.
These symbols were believed to possess protective and transformative powers, particularly when used in rituals, amulets, and tomb inscriptions. [4] Similarly, in Mesopotamia , the cuneiform script was employed in incantations and rituals designed to invoke divine powers, demonstrating an early link between written language and magical practices.
According to author Leon Harkleroad, "Some of the most misguided attempts to link music and mathematics have involved Fibonacci numbers and the related golden ratio." [61] With few exceptions, numerators for the meter signatures (over 100) in Karlheinz Stockhausen's Klavierstück IX are either Fibonacci or Lucas numbers. [62]
Greek cities in Italy such as Syracuse began to put the heads of real people on coins in the 4th century BC, as did the Hellenistic successors of Alexander the Great in Egypt, Syria and elsewhere. [98] On the reverse of their coins the Greek cities often put a symbol of the city: an owl for Athens, a dolphin for Syracuse and so on.
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