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Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
"Ole Buttermilk Sky" was a big hit in 1946 for big band leader and old-time radio personality Kay Kyser (1905–1985), and composer country western music singer Hoagy Carmichael (1899–1981), plus other artists. It has been covered by a multitude of artists / singers over the years and decades since.
"A Hot Time in the Old Town". msstate.edu. [permanent dead link ] "A Hot Time in the Old Town - The Band On a Vintage Truck". YouTube. Sedalia, MO. June 2007. Archived from the original on 2021-12-21. Video. "The Charles Templeton Digital Sheet Music Collection". Mississippi State University. Archived from the original on 2011-07-20.
Bono of the band U2 mentions The Old-Time Gospel Hour in the 1988 live version of the song "Bullet the Blue Sky" on the album Rattle and Hum.Toward the end of the song, there is a spoken section where he says "...and I can't tell the difference between ABC News, Hill Street Blues, and a preacher on the Old-Time Gospel Hour stealing money from the sick and the old.
"I Melt with You" is a song by the British new wave band Modern English. The song, produced by Hugh Jones, was the second single from their 1982 album After the Snow.It became the band's most successful single, largely in the United States, where it was featured in the film Valley Girl and on MTV.
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"Salty Dog Blues" is a folk song from the early 1900s. [1] Musicians have recorded it in a number of styles, including blues, jazz, country music, bluegrass. Papa Charlie Jackson recorded an adaptation for Paramount and Broadway in 1924. [2]
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.