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In medieval music theory, the terms color and coloration are used in four distinct senses, two of which relate to the notation and structuring of note durations, the third to florid ornamentation, and the fourth to the quality of chromatic music.
Procedures of connection include gradation, amalgamation, and dissolution. is an example. Harmonic contrast means to have a change in keys or chords or even cadences. Contrast is not only a way of adding interest, and difference in a song, but is essential to the aesthetic illusion of dramatic resolution of conflict.
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores , which may be of the same or a different length from the talea .
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
Musical form is the plan by which a short piece of music is extended. The term "plan" is also used in architecture, to which musical form is often compared. Like the architect, the composer must take into account the function for which the work is intended and the means available, practicing economy and making use of repetition and order. [10]
Approaches or techniques to musical analysis. Assumption and advocating could be considered missing. Musical analysis is the study of musical structure in either compositions or performances. [1] According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2]
Klangfarbenmelodie (German for "sound-color melody") is a musical concept that treats timbre as a melodic element. Arnold Schoenberg originated the idea. It has become synonymous with the technique of fragmenting a melodic line between different timbres.
There are three properties of color: hue, brightness or chroma, and value. Hue is the name of a color (red, yellow, and blue, etc.). Brightness and chroma refer to the intensity and strength of the color. A high chroma color is more pure and less greyed than a low chroma color. The lightness or darkness to a color is the value.