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"Levon" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was recorded on 27 February 1971, and was released on John's 1971 album, Madman Across the Water . [ 2 ]
"The Stones I Throw (Will Free All Men)" is a single by Levon and the Hawks, released in 1965 on Atco Records. It was their first release under this name, following their previous single under the name Canadian Squires.
The meaning of the lyrics: Levon wears his war wound like a "crown", because he was used as a "pawn" in warfare. A pawn advancing to the enemy's home rank receives a "crown", so his head injury makes him fixate on elite status symbols and disrespect populist religious symbols. (Which is another way of fixating on religious symbols.)
"Levon" (song), a song by Elton John and Bernie Taupin Levon & the Hawks, an original alternative name for The Band; Love for Levon, a concert held on October 3, 2012 in New Jersey as a tribute to the late drummer/singer Levon Helm of The Band
"Took Her to the O" is a song by American rapper King Von released on February 21, 2020, through labels Only the Family and Empire representing the third and last single extracted from his second mixtape Levon James (2020). The song was written by Von and Chopsquad DJ, with the latter solely producing the beat. [1] The song is among Von's most ...
"Hurricane" is a song co-written by Thom Schuyler, Keith Stegall, and Stewart Harris. Levon Helm recorded it for his 1980 album American Son. It was later recorded by American country music singer Leon Everette. It was released in July 1981 as the lead single and title track from Everette's album Hurricane.
"Acadian Driftwood" is a song by the Band. It was the fourth track on their sixth studio album Northern Lights – Southern Cross (1975), written by member Robbie Robertson. Richard Manuel, Levon Helm and Rick Danko trade off lead vocals and harmonize on the chorus.
My Morning Jacket also covered the song on Love for Levon in 2012. [15] Over the Rhine covered the song on their 2013 album Meet Me at the Edge of the World. [16] AllMusic critic James Christopher Monger praised their version as "a soulful, Carole King-inspired take.". [16] Post-punk group the Mekons also covered the song on their F.U.N. 90 EP ...