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Punctuation can be used to introduce ambiguity or misunderstandings where none needed to exist. One well known example, [17] for comedic effect, is from A Midsummer Night's Dream by William Shakespeare (ignoring the punctuation provides the alternate reading). Enter QUINCE for the Prologue Prologue If we offend, it is with our good will.
[2] [3] One of the most famous opening lines, "It was the best of times, it was the worst of times", starts a sentence of 118 words [4] that draws the reader in by its contradiction; the first sentence of the novel, Yes even contains 477 words. Moby-Dick's "Call me Ishmael." is an example of a short opening sentence.
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. [1] Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. [2]
A major sentence is a regular sentence; it has a subject and a predicate, e.g. "I have a ball." In this sentence, one can change the persons, e.g. "We have a ball." However, a minor sentence is an irregular type of sentence that does not contain a main clause, e.g. "Mary!", "Precisely so.", "Next Tuesday evening after it gets dark."
A one-sentence program summary in TV Guide is a log line. [2] " A log line is a single sentence describing your entire story," [ 3 ] however, "it is not a straight summary of the project. It goes to the heart of what a project is about in one or two sentences, defining the theme of the project...and suggest[ing] a bigger meaning."
Do not use articles (a, an, or the) as the first word (Economy of the Second Empire, not The economy of the Second Empire), unless it is an inseparable part of a name (The Hague) or of the title of a work (A Clockwork Orange, The Simpsons). Normally use nouns or noun phrases: Early life, not In early life. [f]
The Ancient Greek word πρόλογος includes the modern meaning of prologue, but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.
Standard word spaces were about one-third of an em space, but sentences were to be divided by a full em-space. With the arrival of the typewriter in the late 19th century, style guides for writers began diverging from printer's manuals, indicating that writers should double-space between sentences.