Search results
Results from the WOW.Com Content Network
Version of the statue in 1870 with a staff in his left hand. Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying what may have been a spear [3] or a consular baton ...
On the breastplate of the statue of Augustus of Prima Porta Hispania appears on the right hand side (on the left when looking at the sculpture). It is found behind the back of Mars , god of war, in a seated and afflicted position carrying the gladius hispaniensis .
The Augustus of Prima Porta is an example of an adlocutio pose. In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions. The research of adlocutio focuses on the art of statuary and coinage aspects.
The Augustus of Prima Porta, one of the best-preserved examples of a standard type of official portrait. Caesar Augustus (63 BC – AD 14), known as "Octavian" before he became emperor, was the first and among the most important of the Roman Emperors. As such, he has frequently been depicted in literature and art since ancient times.
The central breastplate relief on the statue of Augustus of Prima Porta shows the return of the Aquila (Roman eagle standard) lost to the Parthians. Roman Coin showing the Aquila (Roman eagle standard) in the Temple of Mars the Avenger.
The most famous piece of poetry in Augustus' time was Virgil's Aeneid, essentially narrating the birth of Rome through their founder Aeneas, a surviving Trojan warrior.. The poem is symbolic of the origin of the Roman people, and thus linking Augustus as a descendant of Aeneas, Virgil illustrated how Augustus had created a new thriving Rome and how integral he is to Roman culture
Prima Porta is the 58th zona of Rome, identified by the initials Z. LVIII. The name Prima Porta (First Door) came from an arch of the aqueduct that brought water to the Villa of Livia , which formed over Via Flaminia a sort of gateway which travellers saw as the first indication of having reached Rome (Piperno).
The political evolution of Augustus was promptly reflected in official art, as evidenced by the series of imperial portraits. Typical features of his portraits are the steady eyes, the straight nose, the rather hollowed face, the well-pronounced cheekbones, the thin mouth, and a lock of hair "with a pincer" on the right side of the forehead.