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Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
Catholicism interprets the commandment not to make "any graven image, or any likeness of any thing that is in heaven above" to mean to not "bow down and worship" the image in and of itself nor a false god through the image. Catholic theology offers the following explanations of liturgical practice that features images, icons, statues, and the like:
In the Baháʼí Faith, prostrations are performed as a part of one of the alternatives of obligatory prayer (the "Long" one) [2] and in the case of traveling, a prostration is performed in place of each missed obligatory prayer in addition to saying "Glorified be God, the Lord of Might and Majesty, of Grace and Bounty".
In order that the heart may bow before God in profound reverence, the genuflection must be neither hurried nor careless." [ 11 ] Genuflection to the Blessed Sacrament , the consecrated Eucharist , especially when arriving or leaving its presence, is a practice in the Anglicanism , [ 1 ] the Latin Church of the Catholic Church , [ 3 ...
Throughout most of Christianity's history, corporate Christian worship has been liturgical, characterized by prayers and hymns, with texts rooted in, or closely related to, the Bible (Scripture), particularly the Psalter, and centered on the altar (or table) and the Eucharist; this form of sacramental and ceremonial worship is still practiced ...
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Vedanta Desika is regarded to have composed the Achyuta Shataka when he visited the Devanathaswamy temple located at Tiruvahindrapuram, addressing it to the deity.He is regarded to employ the theme of nāyikā-bhāva in the hymn, the mysticism of a heroine, owing to the prevailing dramatic convention of heroines speaking in Prakrit in Sanskrit dramas. [7]
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