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Guitar dulcimer: a hybrid of guitar and dulcimer, with the body more closely resembling a guitar, but the string configuration and pegs of a dulcimer. The stringing pattern on these instruments are frequently the reverse of the dulcimer, with low-pitched strings on the left and higher strings on the right, and they are usually held and played ...
Mountain Dulcimer, Appalachian Dulcimer, Lap Dulcimer, Dulcimore, Delcimore, Delcimer US Most dulcimers are either 3 or 4 course; any or all courses may be doubled with a second, unison string—hence the number of different stringing possibilities. Alternates listed here give a pitch for each whole course, regardless of number of strings.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Guitar (electric guitar, bass guitar) Guitar zither; Harp guitar; Hawaiian guitar; Octofone; Octobass; Pedal steel guitar; Psaltry (Bowed psaltry) Resophonic guitar (Dobro; Delvecchio; Triolian) Steel Guitar (Hawaii) (Lap steel guitar) Strumstick; Taropatch (Tenor ukulele) Tenor violin; Tiple (American tiple) Ukulele (Hawaii) Zither (Concert ...
Luthier Homer Ledford coined the word dulcitar as a portmanteau of dulcimer and guitar, building his first model of the instrument around 1971. [1] One of Ledford's dulcitars was accepted into the permanent collection of the Smithsonian Institution, as well as displayed in a traveling exhibit on American craftsmanship. [2]
The number of strings varies, from one to more than fifty. In modern usage the term "zither" usually refers to three specific instruments: the concert zither (German: Konzertzither), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a fretless zither or "guitar zither ...
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In big bands of the 1920s, the acoustic guitar played backing chords, but it was not loud enough to play solos like the saxophone and trumpet. The development of guitar amplifiers, which contained a power amplifier and a loudspeaker in a wooden cabinet, let jazz guitarists play solos and be heard over a big band.